29/1/2008
staged a few months of performances in Thailand. Then, one of my sister’s friends managed to get a set of video tapes of 五 龙 会 or later known as 五子挂帅. We were excited to watch the video although the quality was not very good. We waited patiently for her arrival as the market in Singapore is not big compared to Thailand.
There was a wet market located at Lorong 4 Toa Payoh between Block 92 and Block 95. It was a regular place for street opera. We went there very often as it was very near our flat. I remembered watching 刘璋下山 and 雷峰塔 (Madam White Snake) by 老正天香潮剧团.
For 刘璋下山, we waited patiently till close to 10 pm to see the actress who played the male lead 刘璋. My eldest sister was with us and she knew the plot very well. The first two hours featured how the Han Emperor struggled to retain power and how 刘璋 escaped from death when he was a small boy. Then 刘璋 grew up and was trained by his master to be a very skillful swordsman. Unfortunately, he was inexperienced and saved his enemies instead and later had to behead his father to gain trust from the Empress. 陈 楚 蕙 also performed the role as 刘璋 in the movie 刘璋下山 with 曾珊凤. These two photos of 陈楚蕙 were taken when she peformed in the then Palace cinema in Katong more than 2 decades ago. I heard she regretted having performed there because many fans did not find the location convenient and she must have reaped in the least profit for the time and effort put in.

backstage was locked. This was unusual as in the past, whenever there was a performance by Chor Hwee, the door to the back stage was always opened. I saw many mature aunties sighing and cursing. So, boh pian loh, cannot go in mah










In 1987, I watched 薛丁山(Part 1 and 2), 红鬃烈马, 怒斩杨廷芳, etc. We loved 陈楚蕙 so much as her voice is unique. You cannot find this in any other artiste. She looks fantastic when dressed and dolled up. 陈楚蕙 is deeply loved by the audience not only because of her acting skills but also because she is humble and has excellent interpersonal skills. 
The performance that year had been very successful. See a related Chinese article.
In the 1970s and 1980s, Teochew opera troupes from Hong Kong performed in Thailand and Singapore. Hong Kong’s 新天彩潮剧团 normally staged their performance in 新世界 New World in Jalan Besar (already demolished and a new condominium City Square Residences had been built on the same plot of land.) 陈楚蕙 appeared as guest performer at one time and only performed two titles, 红书宝剑 and 萧湘秋雨 . This was to land support to 方巧玉 who paired off many less popular ‘male’ lead during and was facing pressure and stiff competition from 昇艺潮剧团. 




难道陈楚惠的演艺真的已经炉火纯青、超凡入圣了吗?她究竟有什么魅力,能够使戏迷为她而迷死?其实说穿了,也没有什么稀奇。首先,自从有了潮剧电景,陈楚惠主演的影片最多,是诸多潮剧电影明星中较为突出的一个,给观众留下了深刻的良好印象;其次,她对人态度友善,没有大牌演员倨傲放肆的气势,因她人缘很好,几度来新演出,接触面都非常广,不论富商巨贾、贩夫走卒,她都能坦诚相待,没有势力、贪婪或虚伪造作的恶习。凡是跟她接触过的观众,很快地便成为她的戏学,与她交往则引以为荣,视为乐事。所以,她的剧艺造诣虽非冠压群芳,却因戏迷对她有亲切感而建立了广泛的观众基础,这就是这所以称为"迷死"。


In the 90’s, there were two sub-standards opera troupes that were invited to perform mostly during the lunar 7th month hungry ghost festival. 正天香潮剧团 would perform 碧玉簪 (The Jade Hairpin) every now and then. That 小生 was actually the one who played the role as 









